Death Valley is regarded by some as desolate and empty. But the desert lovers know that the beauty of the park lies not on the paved road but in abundance away from the tourist spots. Death Vally might to some be an appropriate name for what they see; but there is so much more. Framed by the Armagosa and Paniment ranges, the valley harbors a delicate and fragile ecosystem that changes spectacularly in front of your eyes from day to day. Here, timing is everything. We will see breathtaking cliffs inside box canyons, remote ghost town dwellings, salt flats and bizarre formations, the infamous 'Sliding Rocks' of The Racetrack, and towering sand dunes that are constantly evolving, never photographed the same twice.
Capture the vibrancy of Death Valley during shooting sessions throughout the day interspersed with extensive specialized instruction in landscape photography. This workshop focuses not only on the 'where' to take the pictures, but also on the 'how' to take pictures, incorporating photographic education throughout the workshop at each location, building on the previous locations techniques and lessons to culminate in a comprehensive lesson in composition, modified exposure, light controls, Nikon Creative Lighting System (CLS), and High Dynamic Range (HDR) photography to name just a few.
This truly is a collaboration of extensive, comprehensive landscape photography education coupled with a dynamic location.
ITINERARY:
Day 1 - We begin mid-day (1:00p) following lunch with a workshop orientation at the Furnace Creek Ranch/Inn, detailing the workshop schedule and shooting locations, a discussion on survival in the desert (water, weather and common sense), a brief history and understanding of what is Death Valley, and a review on shooting techniques/concerns in the desert. We then depart our lodging accommodations via carpool up to Dante's View, over 5,000 feet above the valley floor to begin our photography and lessons, starting with composition and the layering. After Dante's View, we head down for a late afternoon trip through Golden Canyon for continued exercises in layering but adding modified exposure to the lesson plan while documenting the vibrant colors in the warm afternoon light. We conclude the day under the towering Panamint Range to photograph the surreal salt flats and jagged weathered salt forms of the Devils Golfcourse.
Day 2 - The day starts with a pre-dawn trek via carpool out to the sand dunes near Stovepipe Wells for sunrise on the unmarred and wind-sculpted dunes. The first of two trips to the Sand Dunes, we work in-depth on the modified exposures and landscape composition. We will travel outside the park to the ghost town of Rhyolite for a lesson in Nikon's CLS and utilizing our Speedlight flash units for supplemental, modified remote lighting. We will then head back into the park via Titus Canyon, a large drainage that the continually shrinks in width as canyon walls rise until it culminates into a slot canyon exit, providing several opportunities to begin application of the previous two-day's lessons as well as learn the techniques of High Dynamic Range photography. We will then head back to Furnace Creek and beyond to capture sunset at the dry lake bed at Badwater (the lowest elevation in the U.S. at -282 below sea level).
Day 3 - The longest day of the workshop, both in shooting and driving time. The morning will start by capturing sunrise at Zabriski Point, further application of the layering, composition and modified exposure techniques. We then begin our carpool trek up to Ubehebe Crater before heading back down to The Racetrack for late afternoon and sunset photographs of the large playa, the Granstand outcropping and, most importantly, the mysterious Sliding Rocks and their weathered tracks in the playa.
Day 4 - Our final day begins with another sunrise trip to the sand dunes followed with a short walk to a Death Valley treasure: Mosaic Canyon. The workshop concludes after Mosaic Canyon and a farewell lunch.
